Skip to main content

Zolile Hector Pieterson

Movie or documentary? Magazine or book? Movie on the book, or the actual book? The former in all of the above, of course! (It's NOT even a question.)


That's me and you right there. Until one of us realises how screwed we are. I visited the Hector Pieterson Museum out in Orlando West, Soweto. A lot of the history in there you'll think you know, I mean, who doesn't know Hector Pieterson? The little boy who became the imagery of the youth struggle. We read of these things, watch movies on them, we are reminded of these atrocities that happened to the Afrikan race on commemoration days like June 16. So, why would a young person, black at that, bother going to historical places like this one? Maybe for one - they just don't give a shit. For another - why would they want to be reminded of the past when they need to move on? Or hey, you only visit such places on tour? I don't know which one you are for, or which other way you see it.

 


Having said that, I'd like to share my personal experience. My going there was first - a recommendation; my being there - a realisation. The history, the stories, the events, all the records in there that'll take you back to forty years plus, are frustrating, to say the least. You look at how much is archived, or kept away to protect or in my view to spread ignorance. Why, for example, would I feel the need to up and go to a museum, any in the country, when what's there is what's 'supposed'  to be in my academic books? When you actually make it, years after academic programming, you are hit with so much that you don't know, so much that you can't take in in a single day! Personally - I was out and full of it by the end of the tour inside the museum! I wasn't pissed, mad, angry, frustrated, appalled, because the stories are sad? No. It wasn't also because the acts were inhumane. It was more because, I look at today and I see yesterday, DONKEY GODDAMN YEARS LATER!  Had those heinous acts been made known earlier to our people, maybe the struggle for this freedom we're said to have would be over, if not almost at the finish line. Had the generation that didn't live to see that struggle, and the generation that lived to see it been confrontational and not compromised and compressed their feelings, their anger, their frustrations, maybe we'd be saying a different story.
Every generation having its own struggle and revolution, much? 


You look at us now, this generation, you look at how we are still fighting for what Generation-Then shied away from, we are still bitter over the conditions and atrocities that they went through because they were never afforded a chance to heal. Rather, our own people and their psych were compromised (with them being pART of that pARTy, I might add - disregarding who hosted it), they compromised so they could live in a free and democratic society. While at the same time walking this land carrying deeply cut wounds, covering scars they're afraid to identify with.
I look at Generation-Now and am afraid for Generation-Next because, history seems to have much freedom in repeating itself. If now, for example, we are going to fight our own struggles through censorship, only to later reveal the truth to Generation-Next, doesn't that then shift their focus when we could've fought our own? But, how do we fight our own when are still fighting for Generation-Then?

Nobody needs protection from the truth when it can hurt whom it doesn't belong to. Best we all carry our own crosses.


Aluta Continua. Not yet uhuru.

📸📸 : Moratiwa Rakhutla

P.S. I haven't read this post since I first published it on November, 2016. I need to edit it. 


Comments

Popular posts from this blog

THE CRY OF WINNIE MANDELA: DEPARTURES. WAITINGS. RETURNS.

SHOW: The Cry of Winnie Mandela  WHERE: The Market Theatre Laboratory WHEN: 04 May 2024 DIRECTOR: Momo Matsunyane August was Women's Month in South Africa, where we commerate the brave Womxn of 1956 on the 9th who were tired of waiting.  Over the years, I have come to use the day to reflect on my own personal experiences and draw inspiration from the Womxn in my life. Ibandla lam'. 'The Cry of Winnie Mandela' adapted for stage by Alex Burger, spoiled us with songs and amongst them was this timeless hymn:  "Bohang seema, ha ba hlaha ka kgoro Jerusalema e mocha..." Those that are familiar with groups of Womxn will tell you that in their meetings, conversations can easily move from marital and relationship bliss - or bleak as is the case with the Womxn in this play - through the latest news, down to song and wailing prayers. Different emotions were invoked with each song as 'Ibandla la Bafazi Abalindileyo' took us through their jou...

FINDING ME, VIOLA DAVIS

  "My entire life had been struggle and survival. I'd been on my own since age seventeen. The fact that it was hard, shitty, was nothing new, but the biggest struggle was keeping hope and belief in myself. Then, finding an art community for support while fighting my ass off to stay alive." - Viola Davis in her book, 'Finding Me' My biggest beef with poverty is that it sets one a million steps back. Poverty and lack will have you questioning your worth even when you receive what you have tirelessly worked your ass off for. Your voice is in constant fear-mode on subjects you're well-versed on. Your confidence is almost non-existent in rooms you deem above you. Saying 'no' is not part of your vocabulary because you always consider others before you. Yet, you are capable and deserving. More than deserving. Because who, if not you? Getting out of this pit is one of the most difficult things one has to go through. Unfortunately, a majority of Bla...

Born A Crime: a long awaited review by the Protégé

Born A Crime: a long awaited review by the Protégé It’s been well over a year since I read Trevor Noah’s Born A Crime; and I remember swearing to Self that I will review it as soon as I was done *insert laughing emojis*. Little did I know that I was going to live it (consciously so) more than reviewing it – this is one of the books I read in 2017 that was top of my Books I Would Recommend list, pretty much to anyone. Fast forward to 2018, Winter Recess, and my 13 YEAR OLD (I had to - #Pride people) nephew finds this gem on their visit. I tell him there’s a book he needs to read and essay (read review) before they leave and he didn’t waste any time. But first, he had to remind me that I robbed him of the chance to finish Chimamanda Ngozi Adichie’s Purple Hibiscus back in 2016 (circumstances, very special circumstances) when he was halfway through the book. Born A Crime was an intellectual debt transaction between an aunt and her nephew. Below is MK the Poet’s (as he c...